Paul Moran
June 26th, 2004, 08:38 PM
http://www.fxguide.com/article202.html&mode=&order=0&thold=0 With deadlines for the film’s worldwide release looming, I, Robot visual effects supervisor John Nelson spoke to FXguide.com on a busy Sunday afternoon in Los Angeles. We also caught up with lead visual effects house's Digital Domain’s Andy Jones & Erik Nash, and WETA's Joe Letteri, on the push to finish one of the summers biggest effects films.
The potential for artificial intelligence to backfire on its human creators has been a long preoccupation of science fiction. It is the central theme of Isaac Asimov’s pioneering collection of short stories, I, Robot, adapted into a major feature film by Australian director Alex Proyas (Dark City, The Crow).
Source: FXGuide (http://www.fxguide.com/)
The potential for artificial intelligence to backfire on its human creators has been a long preoccupation of science fiction. It is the central theme of Isaac Asimov’s pioneering collection of short stories, I, Robot, adapted into a major feature film by Australian director Alex Proyas (Dark City, The Crow).
Source: FXGuide (http://www.fxguide.com/)