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http://vimeo.com/55461795

ClipExporter is now available for free from the product-website. Read more about the reasons here:
ClipExporter 1.2 is free and open source now
ClipExporter 1.2.2 –...

http://vimeo.com/42498421

ClipExporter v1.1 is available now.
New Features are:

After Effects export

http://clipexporter.mindtransplant.com/Bilder/FcpxToAE_Banner.jpg
Import your Final Cut...

Hi Marc,

When doing Color Grading in Nuke please take into account that it does´t support color management based on icc profiles. There are color and gamma shifts between Nuke and FCP X. In that...

I have some news. The bad news are that I won´t develop this shell script any further.
The good news is that this script has grown up to an application. It is called ClipExporter for Final Cut Pro...

The zip-File on Nukepedia is broken again. I contacted the admins to check this recurring problem. While I´m waiting for solutions I also make the script available here on VFXTalk.
So feel free to...

@fury: That´s exactly what it does. A 30 frame clip that starts at frame 157 in the FCP X Timeline also starts at frame 157 in Nuke (if 0 handle frames were set). In that case the Nuke frame range is...

updated to v1.2: bug fixed. added file serialization. now exports .synInfo-File for Syntheyes too. shot folder creation.
Hope you like it! Please report if any bugs occur.

hey jaden, my script is relatively dumb. It doesn´t recognize any layer-structures. It simply takes all video clips that it finds in the fcpxml and makes a .nk file of it. Layer structures have to be...

@aaron: it´s FCP X only. FCP X and FCP 7 have a completely different XML structure. For previous versions see jadens FCP7 workflow.

http://vimeo.com/32293148

I´ve made a Tutorial, fixed some bugs and added an Automator-workflow for easy right-click usage. Download the new version 1.1 on Nukepedia.
Thomas

Some time ago Diogo Girondi wrote a python-script that does exactly what you need. See attachment. I´ve updated some lines so it works with all current nuke-nodes.

How it works:

Place this...

Hi jaden, I was very inspired from your workflow scripts. Therefore I´ve written something similar in shell for FCP X. So if someone wants to get the videos out of his FCP X timeline should try this...

Hi,

just wanted to let you know, that I´ve uploaded a (shell) script on Nukepedia that let´s you get your FCP X sequence (project) data into Nuke. This script generates separate .nk-files for each...

This is great! How does it work with image sequences?

Hi,
I´m not sure if this is what you meant, but therefor I copy the alpha into a new channel before applying the texture to a geo.
If you check the output-channels after the scanline-renderer...

Hi,

after some minor modifications on the source code I´ve succesfully compiled the SSAO Plugin using Nuke´s "Makefile". The Makefile was modified too so it uses the MacOSX10.6 SDK.

When I try...

My workflow is this:
1. export each single clip (with handles) as Quicktime Reference to a folder called "QT_Refs"
2. "QT_Refs" has a folder action attached. if a new file gets saved to it, an...

Here are my experiences with Trapcode that I posted some time ago on the Nuke Mail-List:

"I did some tests 3 weeks ago and stumbled on some problems I managed to fix (more or less).

1.) The...

I don´t know if that helps but take a look at this tool: 5DtoRGB. Maybe that´s a better solution? It´s restricted to output only ProRes or DPX-sequences.
thomas

take a look at this thread.

Hi, I´ve never done crowd replication but maybe this helps:
Take a look at Duplicator from 2d3d.by. Use Google Translator if you don´t understand russian language (like me).
I also recommend Frank...

Take a look at Autodesk´s "Render Pass Concepts and Techniques White Paper" here. See page 39 "Basic Compositing Arithmetic for Combining Passes".
Maybe this helps.
thomas

good point Void, you´re right.
The problem is, when you do a Lens Distortion Workflow within your matchmove app you have to fix RS before 3D tracking (and distortion calculation). But if you do a...

Hi Rob,
first approach: always fix the RS first. Matchmove your shot. If your using a Matchmover like Syntheyes, Lens Distortion will be calculated for you. Undistort your footage with your...

Please describe your problem more precise. The Shuffle Node does exactly what you´ve requested: it creates an alpha (pure white) downstream.
Take a look here, maybe this helps to understand.